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          | Click on image 
              to enlarge |  VV : 
        I can't help but notice on the new album a cleaner sound, maybe more accessible. 
        When I play it at work, everyone likes it. Whereas, with No Pocky for 
        Kitty it's not that accessible. Is there a new direction you're taking? 
         
        SC : (Jim) 
        We spent more time recording it this time. Twelve days. A little bit longer.
   
       
         
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          | Click on image 
              to enlarge |  VV : Are you 
        looking for a cleaner sound?  
        SC : (L) I 
        think it's just naturally happening. As a result of us playing together 
        longer and... (Jim) Playing together more complexly and you have 
        to go for clarity (L) You have to be kind of tidy. (Jim) 
        Otherwise it sounds muddy, like chaos...(L) A big pile of crap. 
         
        VV : Does 
        this interfere with your performance of earlier material?  
        SC : (Jim) 
        No. We play something from every period in our live shows. When it's four 
        people doing their own thing, it's hard to record it. Because something 
        will be lost. You have to let the subtleties rise to the surface.
 
 
         
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          | Click on image 
              to enlarge |  VV : Yeah, 
        that really works on the new album. A lot of good slower songs...  
        SC : (Jim) 
        But when we perform them, we play them twice as fast. Like last night 
        in L.A. we played "Marquee" and people were slam dancing.  
        VV : Which 
        I remember from Chapel Hill, you hate that...you mock that.  
        SC : (L) It 
         is  easy to mock that. 'Cause you know, there's a certain type 
        of person that usually does it. (Jim) Even when people were slam 
        dancing, it was sort of silly. In 1984 it was silly, and in 1980 it might 
        have been novel, but...
 
   
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