Electric Six is a
bunch of guys who weren't making the outside-of-Detroit music scene as
the Wildbunch, even though by their own assessment, being a band in Detroit
is easy: rents are cheap and career expectations are low because there's
no jobs anyhow. So a music identity is in reach, because at least it's something interesting to do. Some corny songs came from the Wildbunch
catalog ("The Ballad of MC Sucka DJ"), but seemingly it took
their reinvention as a gaggle of madmen, each with an individualized and
detailed psychopathology published as their band bio, for these artists
to get the attention they craved. And so the jocular became more profitable
for these struggling extroverts when they were reborn as Electric Six,
added disco to the garage and got on a record label based in the UK.
Video Vision (V V):Your music video for Danger! High Voltage has blown everybody away in San Francisco. I want to know everything about it...we all want to know about the actors, the paintings, the directors - everything. |
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E6:
(D) That would be about a half million people that we've blown away.
The concept was sort of something that we did... we setup cameras and rolled
in my house ...just kidding. It's a directing team of Kuntz & Mcguire.
It was a one day shoot in August 2002 in Toronto. And it was their concept. V V:: It was their concept..? They did the sets....
V V : Who were the actors and how were they chosen? E6: (D) We'll I'm the guy (clears hair from his face and brow)...the woman was a local actress from Toronto named Tina.
E6: (D) They cast her. It was actually kinda funny..because I knew about the video for two months ahead of time...and we shot it on a Friday... they casted her on a Tuesday... so as we were doing the wardrobe and everything.., she's getting into this bondage gear and I'm like... "On Monday you woke up and you had no idea that your Friday was going to be like this..."
E6: (D) Yeah,... I don't know what she knew or what her concept was of anything that we were doing... I don't know if any of us knew. It was just kinda something that we did. In terms of how it was received in Europe, because it was on TV for quite a bit there, I don't think any of us predicted that that would happen. |
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E6: (D) I don't know...my mom was offended by it. She had a long talk with me... you know just stuff about going to hell and if this is the type of direction I want to take with my life. She might have a point there.
E6: (D) That's the sort of line that she wants to take. That's her right as an American. V V: Do you have experience acting before? Did you like it? E6: (D) Not really, that was it. That was the very first time I had ever acted. It was fun. The catering was really something. |
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E6: (D) I don't know that we ever got a name... it was done by an 18 year old kid... they had him working around the clock. We've been trying to get a hold of some of them but so far to no avail. V V: I understand that you're going to do a second video.... E6: (D) We're going to do it in a couple weeks in New York for our song Gay Bar. I don't know if it's going to be played as much in the US as Europe. I'm not sure what the plans are yet for that.
E6: (D) I think we're coming out with a different US single.
E6: (S) Video is sort-of important to us prior to this point... we had done some stuff just on our own because we're sort of compulsive in that area. It's great to be able to make any video or movie or that kind of stuff. |
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E6: (S) Yeah and then movies. Yes! definitely. We've been working on that for a long time. We wanted to do an exercise video... that might still happen. The Detroit rock scene is really out of shape. We wanted to turn the tide. (D) We also had an idea of a movie where the band breaks down in a van outside a spooky mansion... hilarity and hijinks ensue...
E6: (D) It's mainly because our label is in Europe which is a singles market. We had the single ready to go and it did very well so it was out and that was probably the impetus. We're relatively unknown in the US so it's just good to have something out there now and tour to support it. I think we'll be in better shape on May 20th when the record comes out.
E6: (S) On the European tours, it varies from city to city just like it does here. Certain towns are more demonstrative than others. I don't think there's a strict US vs European difference. Every night's different - that's what keeps you driving to the next city. |
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E6: (S) Scotland. Actually there was a show in London that was pretty rough.. .there were 2,500 drunk sixteen year olds with no security... it was like Thunderdome... the audience was like tiers of balconies going up and the floor... so it was us and our guitar tech vs these kids. There was a lot of stage invasion going on and we retaliated physically and still managed to play the songs. We were proud of ourselves. Our keyboard player took up a lot of slack on the security front. (D) There were times when I thought I was going to die but what kept me going was I was telling myself that I gotta get to San Francisco to do this interview.
E6: (S) We'll meet each town with its own terms... we'll take whatever you've got. (D) I've been to some of the discotheques here in SF and I've seen people move so I'm not too worried about it. |
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Interviewer: Catherine Lee Camera & Photos: Rodwin Pabello Transcription & Editing: Catherine Lee Special Thanks: Beggars Group - Shelby Bacchus Bottom of the Hill © 2003 Evans Media Group, Inc. Related Links: XL Recordings (USA) Beggars Group - distro US arm for XL Recordings UK |